From script to timeline.

The production office, from the script to the cut. Every shot on the board is marked shoot, hybrid or generate, so a live production, a hybrid and a fully generated cut are planned on the same board.

• Creatorincluded in this plan
• Breakdown Reviewevery element tagged to its line, by department
• Production Biblecast, wardrobe and locations locked to approved references
• Shot boardframing, lens and movement per shot, a running cost per scene
• Takesgenerated against the bible's approved references
• Sequence & exportOTIO and FCPXML, with an export report
• Take Ledgerevery generation logged with what it was quoted and what it cost

For short-form. A brief goes in, a finished cut comes out, and every decision on the way is written down with its reason.

• Four formatsa spot, a music video, a short film, a recast
• Your references, lockedapprove a picture of a person or a place; the shots are made against it
• Decisions with reasonsthe shots and the look, each with the why beside it
• Try a different approachredo one decision; only what depends on it is rebuilt
• Recastyour clip with your characters in it: same room, same movement, same timing
• Every shot has versionsswap, redo, or pull real footage instead

For a shot you already have. A plate goes in; passes, an element and a comp are built on it, and a package your compositor can open comes out.

• Platea frame sequence, or a range cut from a video, at the source's own depth
• Colour, declaredcolourspace and frame rate stated at intake, never guessed
• Passesmatte, depth and clean plate, each quoted before it runs
• Elementdesigned as a still for its look, then taken for its motion
• Compa recipe you render; every render is a new version
• DeliveryEXR sequences with a manifest and a Resolve import script
• Measured at 6Ka 6054×2576 12-bit source kept at full size, in half float, intake to delivery

Built and measured on our own material. It is not yet open to new accounts; ask about it when you request access.